17th September 1945: Soldiers of the Australian 2/31st Battalion pass through Bandjermasin in Borneo as they take responsibility for the island after the surrender of Japan in the Second World War. It was reported they were given an enthusiastic welcome by the locals.
I had the opportunity to attend a special screening of Danger Close – The Battle of Long Tan last night with some Vietnam veterans (including my father) and other members of the Australian Defence Force. They actually had a counsellor there just in case, and now I understand why – it was quite the experience.
Long Tan is the best-known battle Australia (and New Zealand) fought in the Vietnam War, but I was still amazed both by the quality of the movie, and the actors in it. The “face” of the movie is Major Harry Smith, played by Travis Fimmel, of Vikings fame.
In the 1960s my father was an armoured personnel carrier driver stationed in Nui Dat, which is the base under attack in the movie. He later fought another major battle only a few kilometres from the base: Binh Ba, which had its fiftieth anniversary this year.
It was amazing to see people my father knows portrayed on the big screen, and to know people who consulted on the film.
I would strongly recommend this movie, as long as you’re prepared for it. It’s very confronting, and that much sadder because none of it is fiction.
“Three Korean “comfort girls” (captured in Burma), photographed while being interrogated by Capt. Won Loy Chan (San Francisco, California), Tech. Sgt. Robert Honda (Hawaii) and Sgt. Hirabayashi (Seattle, Washington), all of the G-2 Myitkyina Task Force of the U.S. Army.”
US President Richard Nixon’s historic visit to China in 1972 resulted in significant changes in relations between the two countries.
During the visit, Nixon and his wife attended a performance of the communist ballet Red Detachment of Women. The ballet, based on a 1961 film of the same name, which itself was based on a book, was staged on the 22nd of February, 1972.
Red Detachment of Women, one of only a few ballets permitted in China during the Cultural Revolution, is still in the repertoire of the National Ballet of China.