R.I.P. Errol Pickford

Errol Pickford as Mercutio in Romeo and Juliet © Leslie Spatt Royal Ballet Royal Opera House

As Mercutio in Romeo and Juliet. X

The weekend brought news of the death of Australian-born star of Britain’s Royal Ballet, Errol Pickford. After years in London he moved back to Perth to dance with the West Australian Ballet.

He was only fifty-one at the time of his death.

Errol Pickford as The Bluebird in The Sleeping Beauty © Leslie Spatt Royal Ballet Royal Opera House

As the Bluebird in The Sleeping Beauty.

Pickford was known for his powerful dancing, and was famous for his performances in The Sleeping Beauty and Don Quixote.

Advertisements

On this day: the Bolshoi Ballet in Amsterdam

Anefo_911-3243_Aankomst_solisten9 June 1960 Bolshoi Ballet in Amsterdam 9th June 1960 USSR Soviet Union Vintage

Source

Anefo_911-3243_Aankomst_solisten9 June 1960 Bolshoi Ballet in Amsterdam 9th June 1960 USSR Soviet Union Vintage.

Source

These images were taken in Amsterdam on the 9th of June, 1960. The Bolshoi Ballet arrives in the Netherlands for an international tour.

The Soviets believed nobody could surpass them in the arts, however dancers of the Bolshoi (Moscow) and Kirov (Saint Petersburg) companies were not always allowed to leave the USSR. Some dancers defected, while others were considered unsuitable, such as superstar Maya Plisetskaya, a Lithuanian Jew whose family faced heavy persecution in Russia.

On this day: American Ballet Theatre

time-kirk Time Magazine Gelsey Kirkland American Ballet Theatre 1sy May 1978

Gelsey Kirkland, star of American Ballet Theatre, is seen here as Kitri in Don Quixote on the cover of TIME Magazine on the 1st of May, 1978. Kirkland, whose professional career began with New York City Ballet at only fifteen, moved to ABT in 1974, where she found fame dancing with Soviet ballet star Mikhail Baryshnikov.

On this day: A new generation of ballet stars

Photograph caption dated March 2, 1986 reads, The new generation of ABT dancers (from left) Gil Boggs, Amanda McKerrow, John Turjoman and Bonnie Moore. American Ballet Theatre

This photograph, dated the 2nd of March, 1986, was released to the media to introduce “the new generation of American Ballet Theatre stars”.

Pictured are Gil Boggs, Amanda McKerrow, John Turjoman and Bonnie Moore.

A 1985 interview with Turjoman and Moore, where they discuss interpreting Romeo and Juliet as very young dancers, can be read HERE.

McKerrow went on to be known as one of the greatest ballerinas in the history of ABT.

On this day: Ballet in 1956

The Borovansky Ballet, an Australian company that was a pioneer for major dance companies in the country today, as featured in the Australian Women’s Weekly on the 8th of February, 1956. The images are from their production of The Nutcracker.
Borovansky Ballet's Nutcracker published in The Australian Women_s Weekly 8th February 1956.

On this day: the premiere of Foyer de Danse

foyer-de-danse Alicia Markova, seen here at left in Frederick Ashton_s Foyer de Danse at the fledgling British company Ballet Club (1932).

X

Foyer de Danse, a ballet by English choreographer Frederick Ashton, had its premiere on the 9th of October, 1932.

This footage (begins 24 seconds in) from the 1932 production features Ashton alongside English prima ballerina Alicia Markova (born Lilian Alice Marks):

Ashton would go on to become one of ballet’s best-known choreographers. His productions of ballets such as Cinderella and La fille mal gardée are still seen onstage at the Royal Opera House on a regular basis.

On this day: a choreographer and his muse.

This is the edition of LIFE Magazine for the 23rd of August, 1965.

The cover features choreographer George Balanchine, who was born into a Georgian family in Saint Petersburg before moving to the United States and becoming the so-called “father of American ballet”.

With him is Suzanne Farrell, a young ballerina who was arguably the most famous of his “muses”. She had just turned twenty when this magazine came out.

They are in costume for the roles of Don Quixote and his “ideal woman” Dulcinea in Balanchine’s version of Don Quixote for New York City Ballet. This version is unrelated to the world-famous production that is regularly performed today. However, the version starring Farrell became a signature piece and showcase for both her as a ballerina, and for her famous Balanchine technique.

LIFE INTERNATIONAL cover 08-23-1965 Choreographer George