The Borovansky Ballet, an Australian company that was a pioneer for major dance companies in the country today, as featured in the Australian Women’s Weekly on the 8th of February, 1956. The images are from their production of The Nutcracker.
Foyer de Danse, a ballet by English choreographer Frederick Ashton, had its premiere on the 9th of October, 1932.
This footage (begins 24 seconds in) from the 1932 production features Ashton alongside English prima ballerina Alicia Markova (born Lilian Alice Marks):
Ashton would go on to become one of ballet’s best-known choreographers. His productions of ballets such as Cinderella and La fille mal gardée are still seen onstage at the Royal Opera House on a regular basis.
This is the edition of LIFE Magazine for the 23rd of August, 1965.
The cover features choreographer George Balanchine, who was born into a Georgian family in Saint Petersburg before moving to the United States and becoming the so-called “father of American ballet”.
With him is Suzanne Farrell, a young ballerina who was arguably the most famous of his “muses”. She had just turned twenty when this magazine came out.
They are in costume for the roles of Don Quixote and his “ideal woman” Dulcinea in Balanchine’s version of Don Quixote for New York City Ballet. This version is unrelated to the world-famous production that is regularly performed today. However, the version starring Farrell became a signature piece and showcase for both her as a ballerina, and for her famous Balanchine technique.
Bryan Lawrence, a soloist with Britain’s Royal Ballet before moving to Australia to become one of The Australian Ballet’s early principals, died over the weekend. He was in his eighty-first year.
With Shirley Grahame.
After retiring, Lawrence and his ballerina wife Janet Karin moved to Canberra where they founded a highly successful ballet school. Their graduates went to on star with companies such as American Ballet Theatre, the Joffrey Ballet, and – of course – The Australian Ballet. Ross Stretton, the late director of both Australia’s national company and The Royal Ballet, also began his training there.